1. The Question of Knowability: Both Extremes Collapse
In the previous essay we saw: the mind grasps the abstract by setting out from concrete experience. But what if what is to be grasped is the infinite — without end or limit? How can a finite mind apprehend the boundless?
History has given two extreme answers to this question:
Islamic intellectual history formulates this question as the tanzīh–tashbīh balance:
— Tashbīh: to express God through the concepts we already know — al-Raḥmān, al-Raḥīm, al-Samīʿ, al-Baṣīr.
— Tanzīh: yet these concepts do not bound Him; they do not liken Him to the created.
فَاطِرُ السَّمٰوَاتِ وَالْاَرْضِ جَعَلَ لَكُمْ مِنْ اَنْفُسِكُمْ اَزْوَاجاً وَمِنَ الْاَنْعَامِ اَزْوَاجاً يَذْرَؤُكُمْ فِيهِ لَيْسَ كَمِثْلِهِ شَيْءٌ وَهُوَ السَّمِيعُ الْبَصِيرُ
Al-Shūrā 42:11 — لَيْسَ كَمِثْلِهِ شَيْءٌ — 'There is nothing like Him.' The purest verse of tanzīh — it does not cancel the expression of the attributes; it cancels the identification of those attributes with their creaturely counterparts.
2. A Mathematical Lens — Three Kinds of Knowledge
Let's think through a variable. Take X:
The third state is a different kind of knowledge. Not static — dynamic. Not finished — open. The infinite can be known only in this third mode.
3. Allāhu Akbar — The Formula of Dynamic Cognition
The phrase 'Allāhu Akbar' is exactly the formula of this dynamic cognition. Akbar means both 'greater than' and 'greatest'. It has two dimensions:
اُتْلُ مٓا اُوحِيَ اِلَيْكَ مِنَ الْكِتَابِ وَاَقِمِ الصَّلٰوةَ اِنَّ الصَّلٰوةَ تَنْهٰى عَنِ الْفَحْشٓاءِ وَالْمُنْكَرِ وَلَذِكْرُ اللّٰهِ اَكْبَرُ وَاللّٰهُ يَعْلَمُ مَا تَصْنَعُونَ
Al-ʿAnkabūt 29:45 — Allāhu Akbar at the start of prayer — saying it means 'Allah is greater than everything'; when one enters prayer, it drops every worldly agenda to a lower layer in a single move.
وَلَمْ يَكُنْ لَهُ كُفُواً اَحَدٌ
Al-Ikhlāṣ 112:4 — وَلَمْ يَكُنْ لَهُ كُفُوًا اَحَدٌ — 'Nothing is equal to Him.' The shortest formula of transcendence.
lā uḥṣī thanāʾan ʿalayka, anta kamā athnayta ʿalā nafsik — 'I cannot enumerate Your praise; You are as You have praised Yourself.'
4. From the Bounded to the Boundless — A Recursive Journey
But where does this dynamic journey begin? From our own experience.
Consider a child. The largest number he knows is 100. When you say 'infinity', he imagines it as a little beyond 100. As his knowledge expands, so does his perception of 'infinity'.
The same holds in the cognition of divinity. We use our own finite experiences as windows opening onto the infinite:
— You feel compassion toward a chick. Then you think: 'If this little compassion of mine is this, what could the compassion of the One who made me be?' From your small compassion, you find a road to boundless compassion.
— You say: 'I own this house'. Then: 'I too have an Owner. And the whole cosmos has one…' From the sense of ownership, you build a bridge to absolute ownership.
A recursive (self-referential) thinking that, at every turn, reaches a wider perception than the previous one. The tool by which we walk, through analogical comparison, in directional motion toward the divine infinite.
This tool — which lets the human say 'I' — is in truth a trust (amāna); it has a relative, suppositional existence, granted on the ground of farḍ-i muḥāl (counterfactual supposition) for a mental, suppositional, temporary use. The moment you take your own 'I' to be the real, the tool ceases to be a means and becomes an end — and the recursive journey halts.
5. Practical Dhikr: al-Ḥamdu li-llāh ↔ Subḥān Allāh
The tanzīh–tashbīh balance is present in daily dhikr too:
— Al-ḥamdu li-llāh is a tashbīh: returning the credit, praise, goodness in a thing to Allah.
— Subḥān Allāh is a tanzīh: keeping defect and imperfection far from Allah.
Like looking at an object in daylight — you ascribe the light to the global Sun, and the shadows to the local structure of the object. (This is treated in detail in the 'Local-Global Perspectives' essay.)
The recursive structure works not only for grasping divinity, but for reading life itself. Simulation within simulation. Dream within dream. Instagram within life, life within truth… (This is taken up in the next essay — 'Inception Lives'.)